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    Many designers at Paris Fashion Week last September were inspired by 1970s era science fiction – idealised visions of a future/past are a logical muse as fashion attempts to banish real world concerns through the illusion of altered realities, spaces beyond the critics gaze where strange alien forms can co-create equally and
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    Saint Laurent S/S 2020 The week Paris disappoints will probably signal the end of all fashion. Thankfully, despite Greta Thunberg/Extinction Rebellion’s efforts and the retail-focused events in London and New York respectively, that didn’t happen. Contrary to popular opinion, events like these don’t suffer because of prevalent socio-political issues, not even –
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    Extinction Rebellion New York, London and Milan provided constrasting spectacles this September. Each separately highlighted (for better or worse) pertinent trends in the world of fashion and business. In New York, large scale events by big designers upstaged the humble catwalk shows, pandering to milenials in the west and Asia
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    As highlighted in Vogue – social media, influencers, the cult of celebrity and an increasingly relevant focus on the ‘experience economy‘ have all led to New York Fashion Week shifting its approach. It’s not just (or even primarily) about the runway shows anymore.  The catwalk – always the bread and butter of the
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    The art and craft of customization is, of course, nothing new. Clothing – the choice to wear what you want – is a form of personal customization that distinguishes you from the crowd or helps you to fit in with your friends, workmates or team. Logo-embossed work dungarees, Scottish tartan