But Chanel’s LA and movie inspired silhouettes, while certainly mining the Barbie product catalogue for themes and colors, took a different approach to defining how ‘that’ woman interacts with her Rodeo Drive lifestyle. Gerwig’s iteration was formed of a classic ideal engaging with the present, while Chanel envisioned a woman already wise to the ways of the world, their models filitered through lifetime exposure to television, streetwear and tempered idealism.